What does it mean to be green in a world that has been shaped by colonialism and capitalism? How can we rethink our relationship with nature and each other in the face of ecological crisis and social injustice? How can we reclaim and celebrate the diverse and sustainable ways of living that have been erased or marginalized by the dominant narratives of progress and development?

Art on the Underground, London, United Kingdom is set to present an exciting seminal performative work, Declaration of Independence, featuring multifaceted London-based artist, educator, and researcher, Barby Asante. This newly commissioned iteration will take place at Stratford Tube station on Sunday 17 September 2023.

The auction, held on 13 May 2024, in New York, featured works by both emerging and established artists, including Njideka Akunyili Crosby, Toyin Ojih Odutola, Takako Yamaguchi, Tracey Emin, Kerry James Marshall, George Condo, Adrian Ghenie, Jacqueline Humphries, Christina Quarles, Jadé Fadojutimi, Avery Singer, Cecily Brown, Jeffrey Gibson, Lisa Yuskavage, and Lynette Yiadom-Boakye. The total auction sales came to $32.7 million from an estimated $24.15–34.60 million.

Jean-Michel Basquiat's acclaimed 1982 triptych "Portrait of the Artist as a Young Derelict" is preparing to hit the auction block once again, this time at a Sotheby's modern and contemporary sale in London later this month. This will be the second time the work has been auctioned in the past three years. Nonetheless, the work appears to have substantially declined in value since its last outing at auction just two years ago.

The EMOWAA (Edo Museum of West African Art) Trust has announced the appointments of two distinguished art pioneers to strengthen its focus on modern and contemporary art. Professor Chika Okeke-Agulu, a Nigerian art historian and professor at Princeton University and Oxford University, will serve as Senior Advisor, Modern and Contemporary Art. Aindrea Emelife, a Nigerian-British curator and Forbes 30 Under 30 honoree, will be the new Curator of Modern and Contemporary Art.

An African art collection is once again set for auction after its owner, Sam Njunuri, filed for bankruptcy earlier this year. The collection, comprising over 1,000 pieces including sculptures and monuments, has been at the centre of a legal dispute dating back to 2015.

Ralph Waldo Emerson, in his essay "Society and Solitude," wrote, "We do not believe our own thought; we must serve somebody; we must quote somebody; we dote on the old and the distant; we are tickled by great names; we quote their opinions; we cite their laws." For Ikechukwu Nduka, he stands as the antithesis of the society Emerson critiques. He defied societal expectations and familial disapproval to pursue his passion for art, successfully contending the dependence on the opinions of others. "They say art is therapy, but while creative minds like us are creating this 'therapy', I think we need it the most, or rather we need it first." He aptly expressed the stark pressure.

In the midst of shifting societal norms and increasing complexity around identity, "Freedom in Multitudes" asks important questions about Black and African identity. Through the work of nine international artists, this 1897 Gallery exhibition explores the nuances of self-expression.

In Ethiopia, women vendors are often overlooked and marginalized, despite being the backbone of the market. Their struggles are perpetuated by societal perceptions of their stature. Challenging these norms, Tadesse Mesfin's solo exhibition, "Where We Coalesce," currently on view at Addis Fine Art (until November 30, 2024), seeks to reframe the narrative surrounding Ethiopian women.

Dianna Offor, nicknamed "God's Artist," is a Nigerian-born visual artist, whose work is dedicated to expressing the essence of God and importance of faith in todays society. Currently living in Ireland–where she recently acquired a diploma in studio art painting, Offor has spent the last three years depicting the theme of Hope and Love through her biblical abstract paintings.

Polish philanthropist and art advocate Omenaa Mensah, of Ghanaian heritage, has been invited to join the prestigious Africa Acquisitions Committee (AAC) at Tate, one of the world’s most influential cultural institutions. Her appointment not only marks a milestone as the first Polish member of the Committee but also underscores Warsaw’s growing significance on the global art world.