top of page

Creating Art, Preserving Rights: A Deep Dive into Authenticity and Ownership in Nigeria’s Visual Arts Scene

For people in the visual arts grappling with issues of authorship, intellectual property, and the increasing commercialization of creative work, Creating Art: Authenticity and Ownership in the Visual Arts by Professor Fabian Ajogwu OFR SAN and Dr. Jess Castellote emerges as a timely intervention.


CREATING ART (L-R): Professor Fabian Ajogwu OFR SAN and Dr Jess Castellote, at the reading of Creating Art: Authenticity and Ownership in the Visual Arts
CREATING ART (L-R): Professor Fabian Ajogwu OFR SAN and Dr Jess Castellote, at the reading of Creating Art: Authenticity and Ownership in the Visual Arts Credit: Creating Art team

The book adeptly navigates the often-confusing waters of authenticity and ownership, themes that are crucial yet under-discussed in the local context. With practical insights drawn from real-world examples, Ajogwu and Castellote create a resource that is indispensable for artists, curators, collectors, and art enthusiasts, offering a comprehensive understanding of how the art market functions alongside the laws that govern creative production.


Right from the start, Ajogwu and Castellote set an authoritative tone, grounding their discussion in a multi-faceted analysis that goes beyond mere academic theory. The authors explore the principles of copyright law in the visual arts, including authorship, innovation, and the financial realities artists face. This tripartite breakdown is not only clear and engaging but also timely, as the Nigerian art scene continues to grow and garner international attention. The book underscores that understanding and utilizing copyright protections is not just a legal matter but a pathway to economic empowerment for artists, both established and emerging.


Ajogwu and Castellote demystify the complex layers of copyright, explaining how these protections extend beyond the philosophical realm to have concrete, financial benefits for artists. They emphasize that copyright laws enable artists to retain control over their work and to explore monetization opportunities. This focus on the economic dimension of copyright—particularly how licensing, royalties, and resale rights can secure an artist's financial future—offers actionable advice. The discussion on moral rights, such as attribution and protection against the misrepresentation of an artist's work, further enriches the reader's understanding of how to safeguard artistic integrity and vision.

(R-L): Segun Ogunsanya (Chairman, Nigerian Sovereign Investment Authority), Roger Brown (CEO, Seplat), Mrs. Dudun Peterside (CEO, Narita Learning), Prof. Fabian Ajogwu SAN (Author), Ngozi Edozien (Director, Guinness Nig. Plc), Atedo Peterside CON (Founder, Stanbic IBTC Bank), Mrs. Dikko, Ibrahim Dikko (CEO, Hitel Comms), Karam Chakhtoura (CEO, IPT Tech), gathered at the reading of Creating Art: Authenticity and Ownership in the Visual Arts held in Lagos recently.
(R-L): Segun Ogunsanya (Chairman, Nigerian Sovereign Investment Authority), Roger Brown (CEO, Seplat), Mrs. Dudun Peterside (CEO, Narita Learning), Prof. Fabian Ajogwu SAN (Author), Ngozi Edozien (Director, Guinness Nig. Plc), Atedo Peterside CON (Founder, Stanbic IBTC Bank), Mrs. Dikko, Ibrahim Dikko (CEO, Hitel Comms), Karam Chakhtoura (CEO, IPT Tech), gathered at the reading of Creating Art: Authenticity and Ownership in the Visual Arts held in Lagos recently. Credit: Creating Art team

The authors make the book accessible and practical by including a series of illustrative case studies that examine both Nigerian and international contexts. These stories offer a grounded perspective on how copyright laws have been applied, contested, or interpreted in real-life scenarios. From disputes over intellectual property rights to instances where artists had to defend the authenticity of their work, each example serves as a cautionary tale and a learning opportunity. By simplifying complex legal jargon and clearly explaining terms, Ajogwu and Castellote make their insights available to a wide audience without sacrificing the book’s depth.


For  artists, in particular, Creating Art serves as a guidebook for navigating the maze of copyright and intellectual property. As Nigeria’s art market becomes more globally integrated, artists need to understand their rights and the mechanisms available to protect their creations. Ajogwu and Castellote stress the importance of self-advocacy and encourage artists to be proactive in safeguarding their work. The book also touches on the ways technological advancements are reshaping art markets and copyright protections, a topic of growing relevance as digital and AI-generated art continues to challenge traditional notions of authorship and ownership.


The accessibility of the book is another standout feature. While it offers academic rigor that will appeal to legal professionals and scholars, it is also digestible for those with little to no legal background. Ajogwu and Castellote have skillfully balanced depth with readability, making this work an essential reference for a broad audience. Art collectors and curators will find the philosophical discussions on authenticity illuminating, especially as they pertain to preserving the cultural context of artworks.


Cover for Creating Art: Authenticity and Ownership in the Visual Arts  Credit: Creating Art team
Cover for Creating Art: Authenticity and Ownership in the Visual Arts Credit: Creating Art team

As questions around the commercialization of art, the ethical dimensions of ownership, and the power dynamics between artists and institutions continue to gain urgency, this book provides much-needed clarity. By bridging academic analysis with practical application, Ajogwu and Castellote have created a resource that enriches both personal and professional understanding of the complex relationships that define the art world.


Creating Art is more than just a book; it is a roadmap for a thriving, more secure future for Nigerian artists. For those invested in the growth and sustainability of the visual arts in Nigeria, it offers a blend of inspiration and education, empowering artists to protect their work while fostering a greater appreciation for authenticity. Available through major platforms like Amazon and local bookstores such as Jazzhole, Quintessence, and Ouida, this book is readily accessible and highly recommended.

38 views0 comments

Recent Posts

See All

Comments


Creating Art, Preserving Rights: A Deep Dive into Authenticity and Ownership in Nigeria’s Visual Arts Scene

November 4, 2024

Obidike Okafor

3 min read

bottom of page