For readers of Art Report Africa, the weekend is also a moment to pay attention to the number of solo presentations by artists of African and diasporic heritage currently on view. Here are five shows worth making time for.

Freya Tewelde | Geometry of Elsewhere Gallery 1957 | London | Opening 5 June, on view through the summer

Gallery 1957 — the Accra-founded gallery that has become one of the most important platforms for West African art globally — opens its London Gallery Weekend with a solo presentation by Freya Tewelde, a London-based artist of Eritrean heritage born in Asmara and raised in Saudi Arabia. The new body of work marks a decisive shift in Tewelde's practice, moving away from figuration towards abstraction, using colour, gesture and materiality as vehicles for emotional expression. Questions of identity, belonging and the complexity of inhabiting multiple cultural spaces at once have long shaped her work, and in Geometry of Elsewhere they surface through layered abstract compositions that feel both architecturally precise and emotionally open.

Lubaina Himid | Zanzibar (with Magda Stawarska) Lisson Gallery | 4 June – 22 August 2026

One of the most significant presentations of the weekend. Lubaina Himid — Turner Prize winner and current representative of Great Britain at the 61st Venice Biennale — presents a newly reimagined iteration of her Zanzibar project, first made between 1999 and 2023, in collaboration with her partner, Polish artist Magda Stawarska. Nine abstract diptychs, a rare departure from Himid's characteristically figurative practice, are paired with Stawarska's 38-minute libretto — a multilayered sound composition incorporating taarab music from Zanzibar, narrated excerpts from a guidebook owned by Himid's parents, and fragments of opera. The paintings reflect on Himid's move from Zanzibar to England aged just four months, following her father's death, and on subsequent returns to the archipelago. It is a meditation on memory, displacement and return — and one of the most quietly affecting exhibitions in London this season.

Keith Piper | Red Flags | Niru Ratnam | 5 June – 25 July 2026

A major retrospective survey of one of Britain's most significant and politically urgent artists. Keith Piper, a founding member of the BLK Art Group — the collective that reshaped the conversation around Black British art in the early 1980s — presents four decades of practice at Niru Ratnam in Great Portland Street. The exhibition centres on his Pulp Fictions series (2016–17), a body of invented science fiction book covers that caustically addresses Britain's failure to engage honestly with the history and legacy of empire. More recent work responds to the wave of nationalist symbolism — Union Flags, St George's Crosses — that has marked British public life since 2025. Throughout, Piper's method holds: collage, text, installation, and an unflinching attention to the relationship between image, history and power.

Yinka Ilori | Joy Through Resistance: He Who Laughs Last, Laughs Best | Cristea Roberts Gallery | 5th June - 11 July, 2026

British Nigerian artist and designer Yinka Ilori MBE presents his first solo gallery exhibition in his home city, London, opening during London Gallery Weekend at Cristea Roberts Gallery. Known for pattern-driven, colour-saturated work that draws on his Nigerian heritage and British upbringing, Ilori has built one of the most visible public profiles of any artist of his generation — his work appearing in public spaces across London and internationally. A solo gallery exhibition in his home city is an overdue and significant moment.

Reginald Sylvester II | Until Then | Maximillian William | 47 Mortimer Street | 4 June – 1 August 2026

His fourth solo show with Maximillian William, and one of the most considered painting exhibitions in London this season. Sylvester begins each work by stretching rubber — a material loaded with histories of Africa and colonisation — over an aluminium substrate, then layers it with discarded military shelter halves sourced specifically from the 1960s and early 70s: a period of political upheaval in the US and the moment when Abstract Expressionism was losing its grip as the dominant form in American art. Over this rough, historically freighted surface, Sylvester applies saturated, dynamic brushwork — abstraction that simultaneously reveals and obscures what lies beneath. The result sits at the intersection of self-protection and self-presentation, nostalgia and unbridled energy. Timed to coincide with London Gallery Weekend, the show follows his solo exhibition at Limbo Art Museum in Accra, Ghana, building on recent museum presentations at the Harvey B. Gantt Center for African-American Arts + Culture in Charlotte and the Kemper Museum of Contemporary Art in Kansas City.

London Gallery Weekend is free and open to the public, running 5–7 June 2026 across over 120 galleries in Central, South and East London. For the full programme and gallery map, visit londongalleryweekend.art.